Categotry Archives: teens in museums

Guest Blog: @TeenArtGallery Cabinets of Wonder: The Art of Collecting

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Guest Blog: Charlotte Lee, Director T.A.G.

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Nina Naghshineh, Shoe 2, clay, acrylic paint

Last summer, Teen Art Gallery received an email from the staff at The Children’s Museum of New York, asking about the possibility of a collaboration. T.A.G director, Charlotte Lee and team member, Cliff Tang sat down with them in the Fall and came up with a plan. The museum had a show of professional artists planned for February called Cabinets of Wonder: The Art of Collecting. The museums Youth program, Young Artist Kollective, (grades 6-9 ) were working on creating pieces along the same lines of the theme. TAG sat down with them to brainstorm. We taught them a bit about our curatorial and submissions process and then we presented them with a selection of works that we felt fit the theme. This was not simple because many of our submissions did not relate exactly to this theme. The students, however, found connections, made their selections and a show was born called Assembling Identity: Who We Are, What We Collect.

It includes art from the museums YAK program and 6 T.A.G artists :  Kaleigh Acevedo,  Savannah Carlin, Sasha Frolova, Henry Liddy, Mary Munshower, and Nina Naghshineh

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Mary Munshower, Happy Birthday, digital photography

Teen Art Gallery is a unique gallery created entirely by teenagers who curate and organize it. T.A.G’s mission is to give teen artists the opportunity to have their artwork exhibited in a gallery setting.  Teen Art Gallery provides a public platform for teen voices.  Since its founding in 2010, TAG has mounted 7 exhibitions in New York City of artists ages 12-19 and is in the planning stages of a show for June 2014

UK: Review of the Wallace Collection Youth Event @GeffryeYouth

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Eileen’s Review of the Wallace Collection Youth Event on 1st November 2013

My name is Eileen Gbagbo and I am 15 years old. I currently live in Barking, in Essex (UK) and I go to an all girls grammar school in Chelmsford called CCHS. I’ve been a member of the Geffrye Museum’s Youth Advisory Panel since September 2013. I joined the Geffrye YAP as it was a good opportunity to discuss and run events in the museum in collaboration with other young people. I also wanted to do more volunteering and improve my confidence, public speaking and team working skills.

On the 1st of November at 5.30pm, I along with some other friends attended the youth event at the Wallace Collection, a museum in central London. The event was aimed at University students, however, I was there as part of the Geffrye Youth Advisory Panel to view a youth event being run in the Wallace Museum as, in January 2014, the Geffrye YAP would be running an event there. Also, as I had never been to the Wallace Collection, I was interested to see the collection and the building as I had heard previously that it was very stunning.

The Wallace Collection is a national museum in an historic London townhouse. Most of the displays are of French 18th century paintings, furniture and porcelain with beautiful Old Master paintings and world class armoury. There was a Vivienne Westwood theme to the event. There were workshops such as creating your own masks, face painting and photography. The event was really classy (like the collection). The workshops were really engaging; however, I felt that that the event could have been even more engaging maybe by adding music and more workshops around the Vivienne Westwood theme. I had never seen anything like this, as it was mainly aimed at University students and there was a really nice, mature feeling to the event. From the event I learnt how to make a time- lapse film recording.

Overall, I really enjoyed the event, and having the opportunity to see how an event would be run really helped me and the YAP make decisions as to what kind of workshops and different elements we would have in our own event at the Wallace Collection on the 24th of January 2014.

 

 

Experience Geffrye YAP with Orlane’s Guest Blog @GeffryeYouth

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Ever wondered what it was like to be part of a Youth Group in a museum?  Here Orlane Doumbe describes her experience.  Thanks for sharing Orlane!

 

By Orlane Doumbe

I joined the Geffrye YAP because I love to help being a part of something big. I love getting involved in activities and helping to organize events is really just a big bonus. I’ve only just joined in September and have only attended one YAP meeting – the atmosphere was so open and friendly, it felt like I’m already a part of the family! In this one meeting alone, I’ve signed up to participate in a half-term Digital Media workshop at the Wallace Collection with the Geffrye and Chocolate Films. Also, I will be able to help with a Chocolate Films upcoming project about London in the eyes of a Londoner. These are just a few of the many things I’ve done in two hours!

In a typical Geffrye YAP meeting, we all eat first. There’s plenty of refreshments for all of us which is very useful for me especially as I go there directly from school! After this, we’re given an agenda and during the meeting we go through as much as we can. We also take votes, sometimes we could watch things in relation to our topic(s) and most of all this is done in a relaxed environment. We also input our ideas in different forms. We can verbally communicate to each other or sometimes we can also write it on a post-it note and read them all out. My favourite thing I’ve gotten out of the Geffrye YAP so far is being able to work with a Digital Media Company for 3 and a half days. I’m so thrilled with this opportunity because I’ve always wanted to learn how to use Media from a professional viewpoint rather than the average Keek video or Instagram picture. If this is what you experience after a single meeting alone, I can’t wait to see what I will do in a year’s time.

I think other young people should join museum youth panels because it’s a really great way to balance literally everything. In museum youth panels you learn so much, you learn about collaboration and teamwork, debating and voting. All these qualities build up your self-confidence which is a key skill especially today. We also learn marketing when doing events, this helps with the financial aspect of it all; as you learn how to organise money in the best way possible. This is shown when you’re given a project and you’re given a budget to spend on the project. Not only this, it’s a great CV enhancement as it shows that you’re not just someone with their heads in books 24/7 but you’re an active citizen in your local community.

I think young people will get an open mind when visiting museums because it makes you more aware of the past. It personally motivates me because I think to myself if these people who are dead made such a mark on the earth that even their belongings such as sofas, sculptures etc. are still on display in our generation. I want to be a part of something like that when I’m older, and would then be able to motivate other young people who are looking at the works we’ve done. So visiting museums will enlighten or dishearten your view on history, it will make a difference to your perception of life and it also motivates you to make history yourself.

Takeover Cardiff – When Hip-Hop meets Dinosaurs

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Originally posted on TakeoverCardiff.wordpress.com and reposted with permission

If you were handed the keys to a cultural venue for a day to design, curate and create what would you do with that space?

This is the question British Council Wales is posing to over 200 young people from all over South Wales as they prepare to participate in the first ever Takeover Cardiff.

takeover_logoLaunching on Saturday October 12th, as a one-day taster event, Takeover Cardiff will see key spaces in the cultural venues of the city handed over to young people (14-25) to curate, develop and participate in programmes to engage their peers. In essence Takeover is an artistic and cultural journey, weaving a trail around the Senedd, the Wales Millennium Centre, The Central Library, The National Museum and Chapter Arts Centre, showcasing international collaborative arts activity in some of Cardiff’s most iconic buildings. Outside the venues there will be street performances in dance and music; a pop up cinema in an area where an old picturehouse once stood and young filmmakers, photographers and bloggers documenting the performances as they unfold.

Our aims with Takeover are simple; to empower young people to seize control of their own event; to develop collaborations with international artists; and to demonstrate the creativity and talent of young people and artists alike. Crucially, we anticipate the launch will act as a springboard to developing a significant week-long international youth arts festival in 2014. The interest in Takeover Cardiff runs far beyond the borders of Wales.

Takeover events such as these are an increasing phenomenon, encouraging young people to take control of spaces or programming in their local venues and to participate in cultural activity. The key difference with Takeover Cardiff is the international aspect that the British Council brings; Artists from countries around the world (USA, Norway, South Africa, Ethiopia, The Netherlands) sharing their culture and expertise with young people from South Wales, many of whom have never ventured out of the towns and cities they live in. Together, and with the input of local and national arts organisations, they will develop collaborative performances, mashing up cultures, bringing the issues they want to express to the fore, and creating something that is quite unique and importantly created and developed by them.

An all-girl dance troupe from Cardiff will develop a street dance with an Ethiopian artist; secondary school pupils will hone slam poetry skills with a US beat poet and perform in the Senedd, the main centre for democracy and devolution in Wales; Young people from some of Cardiff’s most disadvantaged estates will create a spoken word/hip hop performance among the flora and fauna, the paintings of the Italian Renaissance, and assembled dinosaur skeletons of the National Museum. And out in the streets up and coming bands, chosen by their peers, will showcase their talent on the routes to and from each Takeover venue.

These venues, which some of our participants may have previously thought of as elitist or “arty”, suddenly become accessible to a new young audience. It’s about breaking down barriers and increasing participation. This, after all, is what the British Council is about, creating international opportunities for people of the UK and other countries and building trust between them worldwide.

The motto for Takeover Cardiff is thus: No agenda, just collaboration.

For more information on Takeover Cardiff, and a list of our partners, go to http://www.britishcouncil.org/wales-arts-takeover-cardiff-toc.htm

Follow us on Twitter @bcwales, Like ‘British Council Wales’ on Facebook Hashtag: #TOC #YoungCurators

Young Ambassadors free range with @ARTISTROOMS Ron Mueck exhibition at @WolvArtGallery @WAG_ARYA

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ronmueckWe are the ARTISTROOMS Young Ambassadors at Wolverhampton Art Gallery, Sophie, Georgie, Laura and Dan. For nearly a year now, we have been working on, and preparing for, the ARTISTROOMS Ron Mueck exhibition.

Since the very beginning, we have been given a lot of responsibility and freedom by the gallery. We began by planning a bid, outlining all the events, workshops, promotional and documentary material we hoped to create, which we wrote and sent to the Art Fund. Fortunately, they allowed us to do everything we planned and it has been an amazing journey for us!

IMG_7812The first thing we did was plan the publication. We worked alongside a graphic designer to create the short book that follows us doing our stuff for the exhibition. The private view was the first event we helped out at. We were given two boards in the Ron Mueck: In Focus room, where we stuck polaroids of visitors holding up a note book with one word written down, which they chose to sum up the exhibition.

In July, we went on a trip to Ron’s studio in London. When we arrived at the studio, Ron answered the door to greet us and took us up into his crowded, humble workspace. It was an amazing insight into such a private space, where he spends so much of his time. He was so welcoming and polite and he was happy to answer all of our questions. We had asked people on our Twitter, Instagram and Tumblr if they had any questions they wanted us to ask Ron when we were there and we were really pleased to be able to answer those for people.

A few weeks later, we did a creative writing workshop, with inspiration from the pieces in Ron’s exhibition. When we had enough material, we began to compile our publication. This took a lot longer than we anticipated, but we had already organised the launch so we knew we had to get it finished on time. For the launch, we had the ‘Wild Thing’ silent disco, which was on the 23rd August. We put together a play list inspired by Ron’s sculptures and made jungle style decorations. On the day of the disco, we had just received our publications from the print. It was such a relief to have it finished so we were so excited for the launch. The disco was a great success, we had a lot of new people come and support us as well as friends and colleagues at the gallery.

IMG_7814The publication is now on sale in the gallery shop so if you want to take a look at it, that’s where you can find it! We hope that the publication will inspire young people to get involved with programmes like the Young Ambassadors as we have had such a wonderful experience, but we also hope to inspire more galleries to open up more opportunities like this for young people.
We have been on the radio this week, discussing our work and what we are off to do next in our lives, and we all agreed that this experience has helped us in many ways. It has expanded our knowledge, introduced us to new artists, boosted our confidence and gave us once in a lifetime opportunities we will never forget! We have done so much in the last year, that is just a brief overview and we’re not even finished yet!

The Young Ambassadors,
Sophie Meeson, Laura Morgan, Georgie Walters and Dan Crawford.

Guest Blog: The Geffrye’s Youth Advisory Panel @GeffryeYouth

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NB:  This was originally created for Museums Practice but re-run with permission from Geffreye’s Youth Advisory Panel:

The Geffrye’s Youth Advisory Panel: Programming responsive and engaging workshops and events for other young people
By: Shakeel Akram, Youth Advisory Panel Member, Geffrye Museum

logoThe Geffrye’s Youth Advisory Panel (YAP) compromises of young people from across East London and as such we are well suited to providing relevant ideas for both monthly workshops and workshops to be held on the two significant event days as we are aware of what our community would enjoy. The YAP regularly influence the museum’s public programme by contributing our ideas in relation to the themes of the collection. All of the workshops and events we plan are discussed amongst the panel with the aim to link ideas with objects and themes from across the museum and gardens.

Continue reading →

Guest Blog: Obi Saiq – A trip to the Docklands. Junction Youth Panel @MuseumofLondon

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blog photoHello there dear reader, my name is Ubaydullah Samiullah Saique or Obi Saiq for short (cue the star wars jokes!), and first off you are probably wondering why I have decided to start my first ever article/blog/whatever you call whatever this is that I’m doing, with stating my name I mean you could probably just look at the header of the page and see my name so why say it again well I’ll be frank guys, I can’t do that. I mean it’s not that I’m trying to be different I’ll be honest I looked at other blogs on other sites and they were SOOOOO boring it felt like I was reading a flat pack furniture assembly manual, an insight in to the experiences of a person who I didn’t know and had no affinity with hence I decided I can’t just let you read about my experiences, my thoughts and ideas without establishing a sense of who I am. I mean what use is a map if you have no idea what area it encompasses or diagrammatically represents well folks I won’t let that happen and I won’t trick you into reading a dull blog/article/whatever you call whatever this is that I’m doing, because I believe that is a crime, a crime so bad that I consider it to be worthy of a lengthy prison sentence! So by now you are thinking along the lines ‘Well Obi if you’re so uptight about connecting with your audience by conveying who you are why the hell have you spent such a lengthy paragraph talking absolute nonsense’, and part of me agrees with you but at the same time how can I convey who I am in merely a few sentences, a few sentences can’t even encompass the life of a man whom has existed almost twenty years that’s 240 months That is 7300 days, which is 175,200 hours, which is 10,512,000 minutes! 10 million minutes in a paragraph? As brilliant as I am that is a task near impossible so like a good comic book you will not learn of our hero in a measly 20 page issue but over hundreds of issues (or in my case a series of blogs if I’m allowed). So relax, open up can ginger beer and read on! Continue reading →

Guest Blog: A Year in the Life Of Teen Art Gallery 2012-2013 @TeenArtGallery

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tagDirector Charlotte Lee shares what life at Teen Art Gallery for a year was like.  The good, the bad and the ugly.  Thanks for sharing and the honesty! 

September

We have our first meeting of the year with our new T.A.G. Team. We don’t know each other that well yet and haven’t figured out how to work smoothly as a team. We need to decide out who will work on which aspects of the organization. Matthew Pasquarelli has already been improving the website. We set the date for the submissions period and all of us have the role of reaching out to different schools and art programs to solicit submissions. Chaya Howell will create fliers to put up in schools.  Everyone has interesting ideas It is a lively discussion; we talk about the website, fundraising, a possible TAG Zine, and the exhibitions.

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Putting Heart into Art History: by Teenage Blogger Emily Zauzmer

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All I Really Need to Know I Learned in Kindergarten is a book by Robert Fulghum, and for me, the titular phrase is quite true. I learned to tie my shoes, I learned to share – and I learned that I have a passion for art history.

My kindergarten teacher introduced the class to the wonders of art history in a delightful way: She had each student paint his or her own rendition of Vincent van Gogh’s The Starry Night. Perhaps my artistic skills were not on par with those of the legendary painter – why did I leave out the cypress tree anyway? – but my love of art history was ignited with more fire than van Gogh’s glimmering stars.

Femilyvangoghollowing this art project, five-year-old me begged my parents to take me to New York City to see the Post-Impressionist masterpiece at the Museum of Modern Art. (This must have not come as much of a surprise to anyone, as I had dragged my family to Plymouth Rock after the teacher’s Thanksgiving lesson on the Mayflower.)

About a decade later, in a seemingly unrelated turn of events, my family made plans to vacation at the Iowa State Fair to experience that quintessential slice of Americana. A week or so before the trip, I happened to come across the Wikipedia page for the Dibble House, the white home with the iconic Gothic window that Grant Wood immortalized in American Gothic. My fates were aligning: the Dibble House was in Iowa. “I see an amazing photo op!” I gushed to my family in an email asking if we could add the Dibble House to our itinerary.

That explains why on August 21, 2011, I found myself in a quaint town called Eldon, where a small house with a steep roof serves as the center of attraction. The American Gothic House Center supplies replica pitchforks and costumes so that visitors can pose as the famous man and woman in front of the actual house that Wood depicted.

americangothicAfter my brother and I snapped our own keepsake photograph, I wanted to have a use for my American Gothic re-creation – after all, what fun is a re-creation if it serves only as a unique Facebook profile picture? It dawned on me that I could make an art history blog.

At first, I was a bit wary.  Would anyone read my blog? Would I essentially be writing for myself? Nevertheless, with a year of AP Art History under my belt, I decided to enter the blogosphere by creating Heartwork.

On Heartwork, I blog about my creative adventures in art history. These adventures have included picture re-creations (American Gothic, Norman Rockwell’s Freedom from Want, Leonardo da Vinci’s Vitruvian Man, James McNeill Whistler’s Whistler’s Mother) and edible artwork (The Starry Night in cupcakes). I have also blogged about my visit to a nearby park with sculptures of famous paintings, and posts about my trips to museums are coming.

The response to Heartwork has been incredibly rewarding, and many individuals have kindly tweeted about the blog. Excitingly, within its first few weeks of existence, Heartwork has been viewed in Australia, Austria, Belgium, Brazil, Canada, France, Germany, Indonesia, Ireland, Italy, Mexico, the Netherlands, New Zealand, the Philippines, Poland, Portugal, Romania, Spain, Sweden, Thailand, the United Kingdom, and the United States.

My great wish is that Heartwork will continue to grow not only through me but also through my visitors. If they email me (emilybz@comcast.net) photographs of their endeavors in art history like picture re-creations, I will be thrilled to post the photographs on the blog.

In my mind, there are two possible paths for the future of art history: If we fall prey to the notion that art history is comprised merely of antiquated relics with no importance to today, both museums and societies will suffer. But if we embrace art history as a meaningful and vibrant subject matter, we will find that works of art can reveal profound truths about us and our cultures.

To choose the latter option, we each need to forge our own connections with artwork – to make art history our own. I sincerely hope that Heartwork inspires viewers to make art history a fun and relevant part of their lives. After all, putting heart into art history is really what Heartwork is all about.

 

Diamond Friends Forever Guest blog June 17th @DFF_DiaMu

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By Claudia Demaeght (youngster of DFF)

As mentioned in the last blog of Nathalie and Brent I, as a member of the group communication, will elaborate on the subject of social media.

2013-05-18 12.45.59To introduce the project and make our target group enthusiastic to visit our museum, the group communication received a budget. The budget wasn’t very large, but that was rather a challenge than a threat to us. One of the cheapest ways to communicate these days is through social media and because youngsters are very present on the social media, this was one of the main elements of our communication plan.

We divided our plan into 4 subgroups, namely: online communication, guerilla marketing, offline communication and press. I will tell you a bit more about these parts that integrate social media.

communicatie 2In our group, Justin, Jacob and I discussed al lot on the subject of social media. Eventually we confined ourselves to the 2 most popular among youngsters: Facebook and Twitter. We thought this was the most efficient way to reach our target audience. Brent and Nathalie made a Facebook-account for DFF at the beginning of the project, and with more than 250 likes this was already a good medium to reach a lot of people. We want to use Facebook for both information and fun.  You will find information like where, when, who and why but also pictures and crazy facts about diamonds bearing in mind the ‘ like and share principle ‘. We want to make sure that people like our page and share things they like with their friends. Starting from the launch of our guerilla marketing campaign we want to use our campaign image as cover image on the page. That way the campaign image will be well-known by our visitors.

89b0f2541b87432d4806e2017bfabde9Twitter was the second social networking site we decided to use. We use Twitter to reach more international audience. Therefore we deliberately communicate in English. Because you are restricted to 140 characters we will use it to post short informational messages but also short fun facts about diamonds. Other social media we thought about to use were Instagram, Pinterest and Tumblr. In Belgium our target audience is not as present on these social media as in America and the UK so we decided to just focus on Facebook and Twitter.

Facebook and Twitter are not the best channels to tell the whole DFF-story, that’s why a WordPress website is being created right now. My co-worker Justin is a handyman when it comes to graphic design so I am already curious to see the result!

fashionableBecause we were encouraged by Nathalie and Brent to think outside the box we wanted to create something fun and unexpected for the guerilla action, something that people will talk about. The winning idea was to distribute a lot of saddle covers for bicycles on places that youngsters and tourist will visit during the period before and during the launch of the museum. Kind of a saddle cover raid! On these covers the DFF-website will be mentioned and here the visitors can participate in a contest to win a real diamond!

The DFF-Facebook and Twitter page will also be present on all the offline media like on beer mats, posters, postcards, flyers and on trams. I hope by the launch of the museum we have a lot of ‘likes’ and ‘followers’… and that our efforts will be rewarded!

You can still visit us on Facebook (DFFDiamondFriendsForever) ,Twitter (DFF_DiaMu) and soon on www.diamondfriedsforever.be!

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