I’m back from Helsinki where I was invited by Creativity, Culture and Education (CCE) to help produce and oversee an intense week-long framework for young people in Helsinki to take over 6 specific museums.
Young people think up new ways of working #munmuseo events
Young people between 16-20 years of age and art museums in Helsinki will be working together to find new ways for the youngsters to embrace the art museums´ artistic content and facilities.
The establishments involved are Amos Anderson Art Museum, Ateneum Art Museum, Design Museum, HAM Helsinki Art Museum, Kunsthalle Helsinki, Sinebrychoff Art Museum, thirty youngsters employed by the City of Helsinki and six youth workers coaching the youngsters. The munmuseo project run by the City of Helsinki Youth Department co-operation of the British Creativity, Culture and Education organization. Read the rest of this entry »Tags: helsinki, museums, takeover, young people
‘But museums are free!’ I hear you say.
Yes, but many nationals and mostly in London (with exceptions). I live in lovely Shropshire where the story is very different. And my experience is the same in many rural areas.
While this has been a topic for quite awhile the recent decision by the Field Museum in Chicago has made the topic come to light again.
Why don’t museums/galleries give free entrance to local people?
This is a question I kept asking when Shrewsbury Museum and Art Gallery opened in April 2014 after being closed for 5 years for renovations and costing £10.7 million (£200,000 more than originally budgeted and delayed by 3 years) and then (after tax payers monies contributing to the renovation) they had the gall to charge an entrance fee – something they had said they would not do when asking for votes of approval.Tags: entrance fee, museums, Teens in Museums, transportation, young people
On May 19th I hosted the New Technology stream at Museums and Heritage Show. The stream was hosted by Collider Case (which is amazing btw!) and consisted of a variety of great speakers (of course!) from Belfast, England and Paris sharing their experience with new technology that the sector could/should know about :
Museums and bus stops: breaking down barriers
Something new and different is happening in Paris – people waiting at bus stops are getting free wifi to play games about the museums local to that stop. CuturO’Game is successfully hooking visitors in with collections-related games, opening up new worlds to new audiences. Find out how it’s working and how you can use this tech to support and promote your own museum. – Aube Lebel, CEO, Clicmuse, Engage with Culture
21st century interpretation in a 19th century museum
The Fitzwilliam Museum in Cambridge offers one of the finest art and artefacts collections in the UK. As part of their bicentenary celebrations they commissioned a new digital guide, with Acoustiguide, to help visitors explore the museum. We will explore the challenges and successes of this exciting project. – Julie Dawson, Head of Conservation, The Fitzwilliam Museum and Caitlin Bain, Sales; Marketing Manager and Louisa Matthews, Managing Director, Acoustiguide
Scaleable TechTags: barriers, iot, museums, technology, wearable tech
Many of the challenges of adopting and piloting new technology apply to museums of all sizes. Finding the balance between new, interesting and innovative against solid, reliable and dependable technology can be difficult and potentially risky. How can we test and evaluate new products and services without compromising on the quality of experience we deliver to our visitors. – Will Robinson, Creative Technologist, British Museum and Catherine Jones, New Media Engineer, Science Museum Read the rest of this entry »
APM – Associazione Nazionale dei Piccoli Musei
Communication and Accessibility for Small Museums
By Veronica Ramos Pino
The National Small Museums Association (APM) is a non-profit association which intends to develop small museums and promote cultural management. Our association’s mission is to organize meetings, conventions and initiatives in order to highlight to visitors and institutions small museum’s reality.
Small museums are in essence different from large museums. It is not only a question of size, space and economic resources. The problem is much bigger and relates to the relationship with the local community, the location, the management, the services offered to the visitors, the role of the museum.Tags: accessibility, italy, small museums, small museums association
Dom Cushnan is part of the Open Community Lab/MuseomixUK community. He gets how collaboration between sectors breathes creativity and real changes. He gets that private sectors have a role in these changes also – sometimes through action and other times through lessons.
Our community (OCL_Community) is currently planning a remix at an NHS hospital for this summer. Let us know if you’re interested!
Read this and let me (and Dom!) know your thoughts:
The abundance of ever-cheaper, more powerful technology allows small teams with the right approach to accomplish feats previously only achieved within the province of governments and major companies — and to do so faster and more effectively than their bigger competitors.” Nabyl Charania (@nabylc)
There are times in every industry when processes become stagnant even oppressive and if this is not addressed then current attempts at change no longer have the desired effect.
Uber is a prime example of disrupting an industry. By leveraging the abundance of available drivers and the power of algorithmic pricing software, the low-cost vehicle service is replacing traditional taxi fleets, with their endless costs and liabilities. And Uber CEO Travis Kalanick is doubling down on the “urban logistics fabric” that Uber is spinning across the globe, hinting at disrupting logistics across all industries, and launching food delivery pilot programs in Chicago and New York City
But exponential companies aren’t simply more competitive. They’re also, in many cases, the only types of organisations set up for long-term survival.
In today’s world, as products and services are becoming more and commoditised and software is eating the world, entire industries are being disrupted by organisations that are growing at exponential rates. Software algorithms are controlling the on-demand needs of its users.Tags: collaborations, cross sector, Guest Blog, health services, lessons, nhs, remix, Uber
MuseumNext was held in Dublin 18-20 of April. A few of us decided to make the most of our first time in Dublin and arrived on the Saturday to start exploring early. We weren’t the only ones!
Highly recommend Guinness Storehouse tour which is more of an experience through history. But lets get to MuseumNext. Monday April 18th we all registered. This is the best time for me as I get to see many MuseumNext friends I haven’t seen for a year. I signed up to join a tour but missed it and instead went to:
A Spirited History at National Gallery of Ireland which had representatives from Guinness, Jamison company and another archivist. Having visited Guinness Storehouse it was fascinating to see the balance of teaching the story through the archive and providing an experience for the general public (20% of people who come to Guinness Storehouse have never tried it), the point was they have a brand name people know and recognize and through the Storehouse have to share the story and not let those people down who come for another reason (adverts etc).
In the evening, Mark Macleod and I hosted the Networking for First Timers at the Little Museum of Dublin. The venue was perfect and it was great that non-first timers knew they were more than welcomed to attend.Tags: Conference, dublin, highlights, International, MuseumNext, museums, takeaways, wrap up
Ok, I’m sure everyone at this point saw the sign with the article ”No sketching’: V&A signs betray everything the museum stands for‘ by Oliver Wainwright
I was with Mark Macleod (from The Infirmary Museum) and Silvia Filippini Fantoni (from the IMA) when Silvia first saw the picture but held off on sharing it until I read the article. I then tweeted it.
‘No sketching’: V&A signs betray everything museums stand for https://t.co/PLzPgyoAU2
— Mar Dixon (@MarDixon) April 22, 2016
And the storm was started. (See Storify here.)
First of all, as Oliver probably wanted, it was total click bait worth title but honestly many of the people responding didn’t read the whole article. I soon spent my day almost defending the Victoria and Albert as it turns out, it’s not the WHOLE of V&A being asked not to sketch, but instead a temporary exhibition.Tags: Culture, Museum, museums, open communication, signage, storm, twitter
This is a conversation that started when someone mentioned the routine questions received on social media when the answers are obviously on the website. This took me by surprise as my first reaction is always to tweet/ask on social media as often I’m on my phone and don’t want to waste data clicking away on websites (especially bespoke ones where Contact Me isn’t where you find the address but a lovely form).
What I did find funny was the fact that many of the social media people were annoyed by the same questions: directions, open times, cost but I wonder how many took the time to do something to streamline the information. Maybe a pinned tweet for half term, link directing them to Most Asked Questions on their bio instead of a link to their next exhibition, etc.
I started thinking more about it and took to twitter for my first ever poll and as you can see from the results, I’m in the minority!
When you want information from a museum do you:
— Mar Dixon (@MarDixon) March 23, 2016
At least that is the impression the poll gives. However, many (and I mean many) follow up conversations give light to the reason the poll might have been skewed. Here’s a selection of responses:
— Mark B. Schlemmer (@MarkBSchlemmer) March 23, 2016
@MarDixon I have had this very dilemma this morning. Where beat to check if a gallery is open today? Went to social first.
— Dan Feeney (@thatdanfeeney) March 25, 2016
— Phyllis A Sears (@PhyllisASears) March 23, 2016
@MarDixon option 1 -but the websites often don’t provide what I’m looking for
— Marie MIllward (@mariemillward) March 23, 2016
@MarDixon option 5 – Google it. At best they have info box, at worst you get a link to website or twitter
— James Morley (@jamesinealing) March 23, 2016
@MarDixon depends on the info that I need, but my 1st choice is website.Unfortunately lots of good Italian museum aren’t strong in SM.
— Donata Grossoni (@DGro25) March 24, 2016
What is your opinion on this?
Today is the 10th anniversary of @Jack’s first tweet ‘just setting up Twttr’. A lot has happened since then. I would love to say my first tweet was profound but like so many, it wasn’t (you can find your #FirstTweet here).
To say Twitter has changed my life is NOT an understatement. I started off local, chatting mainly to people who were in Bridgnorth or Shropshire then started exploring museums, libraries, publishing and of course tech. While I’ve loved Twitter from the start, it wasn’t until January 16th 2011 when I fully understood it’s power. That was the day I tweeted:
“I Love Libraries because ______” Fill in the blank and RT! #savelibraries
And they did. They filled in the blank and shared so much it went world trending. My first experience at seeing the power of social media. From big names (Neil Gaiman, Margaret Atwood) to local libraries to people on the street, I was being thanked for highlighting the plight of libraries world wide. (If you ever want to know *why* I tweeted it, just ask.)
At this point I’d love to say I remember what the next world trending was but I honestly can’t remember the order. I do know that thanks to @CultureThemes our community these hashtags have gone world trending multiple times including:
We’ve worked together as a (sometimes dysfunctional) family/society. No we don’t always agree, politics are a bear, but in the end we keep coming back to this platform that makes us express ourselves in 140 tiny little characters.
And we wouldn’t change it for the world.
THANK YOU TWITTER!!
The second London Cultural Tourism workshop took place March 7th at City Hall in London. I was asked to facilitate the day by a great team including Creative Tourist and Mike Clewley from Greater London Authority office. The original idea was a traditional type of day – speakers, delegates listening and time for Q&A. However, the more we talked it was clear this wasn’t the right framework.
The day needed to be a hybrid of speakers and time for delegates to speak – not just ask questions. The format was an awesome Keynote from You Me Bum Bum Train (whose name I spent ages trying to say without laughing) followed by a 4 person panel with each speaker speaking for 2-minutes (and yes, I did time it and glare if they went over) then breakout sessions that were run as an unconference.
A LOT was going on but I’m a firm believer in creativity comes in all paces.Tags: #LDNCulturalTourism, art, creative, facilitating, International, London, Museum, national, tourist