Wow – what an amazing day #MuseumSelfie was! 

I’ve been running @culturethemes now for almost 3 years (we’re 3 in March).  [A little background on CultureThemes: it was started when there were massive cuts to funding which caused a lot of negativity on social media.  This was not helping the sector at all.]  The first CultureTheme was #WhyILoveMuseums and went world trending.

Why?  Because people love museums!  What they don’t like is listening to moaning about funds/money.  Who does? Read the rest of this entry »

A while ago, I was commissioned to write an opinion piece discussing the use of mobile technology and social media in the museum environment and how, if implemented correctly can develop audiences of all ages by Ian Clappison.  It was an extremely  time senstive piece and I didn’t fully commit to getting it done which was a good thing, as 3 months later – ta da! 

Elephant in the Room – is it rude to use a smartphone when at an art gallery or museum?

My answer: No.

Smartphones are the best invention ever.  Ok, maybe a bit of a strong statement but it has transformed the way so many of us live and work.  They have also changed the way we interact with the museum environment.

And that’s a good thing!

Read the rest of this entry »

I’m often asked why / how sectors (cultural and business) should use social media and this snowy weather has been a great example. Since the snow started in the UK this week, I’ve witness some prime customer service that  proved another value for social media (for those still unsure).  Tweets and Facebook updates went beyond the collection and that was absolutely brilliant.  It showed a pulse behind the walls – it showed the humanist side that is oh so important with *social* media.

The following are just a few examples that I’ve seen.

Delayed opening and Closure information.  Like many schools, museums were playing that ‘Do we stay open or do we close’ game that they recognized was inconvenient for those wanting to visit.  Being completely honest and transparent with the updates lessen the blow for those that were planning on visiting but couldn’t. Why?  Because as annoying as it was, the updates explained the reason behind the decision.

Museum / Gallery had to close?  Not a problem as many shared activities on the website to keep kids / family occupied. Apps and games were big suggestions but seen a few recommendations of books and other websites.

Transportation information (including bus routes) were being shared so even if the venue was staying open, you knew what public transportation was running (or not running as the case may be).

Sharing of local information – not just museum related.  Lots of local independent businesses were trying to stay open and I caught a few tweets that mentioned the venue was closing but to get a nice slice of cake at the local bakery, etc.

Sharing Snowman pictures - ok, so yes yes everyone was sharing snowman pictures.  But a few clever people did non-traditional snowmen that were brilliant.  It didn’t have anything to do with the museum or art gallery but it fell under the ‘creative’ heading and it was refreshing to see the venues taking part in the fun of the moment.

Recommendations of checking on neighbours and homeless.  This wasn’t just museums doing this but it was nice to see museums and cultural venues reminding their followers.

As it’s just the start of the ‘winter season’ I’m sure we’ll have many more snow/ice days to contend with.

If you were one of the museums who tweeted one of the above – THANK YOU!  If you weren’t, maybe next time? 

These are thoughts from different conversations I have had on social media.

Museums

Outreach to the community. 
Bring the community into the museum instead of waiting for them to come to you.  Many community groups  such as ones that work with elders, community volunteers, disabled, etc, are looking for different projects but might not feel cultural venues fit into their program or even know they are an option. Think beyond education and interpretation.

Do NOT forget the Teens/Young People. 
As many people may or may not know, we are creating Teens in Museums with founding members Milwaukee Art Museum, Museum Teen Summit, Smithsonian Ed Lab & Museum of London Youth Panel to help provide a portal for international venues to share both best practice and examples of projects that might not have worked but might work for someone else.  Trying and Sharing is so important.

Stop running museums as a business. 
Ok, they need to be run as a business but do we the visitors need to know that?  We don’t want to constantly be reminded that money is a forefront thought. Transparency is brilliant, to a point. A good example of how to be transparent:  Natural History Museum in London periodically shares visitor numbers via Twitter, but doesn’t follow up with running cost.

Think outside the box
or as Adrian Russell suggested, CRUSH the box completely.  In October I had the honor of seeing how opening the doors and trusting people could make a huge difference when I attended MuseoMix.  Giving up a bit of control and allowing outsiders access to collections WILL provide a huge return.  Museums need to think differently in order for meaningful changes to happen.

Visitors

Museums and Art Galleries do not need to be overwhelming.
Think of them as a shopping mall – you only take away what you need but it’s nice to know where other items are should you need them.  I’ve always had the philosophy that exposure was the key.  Learn one thing from every visit – not everything, just one thing.  I don’t even care if it is where the bathrooms are located or if the cafe sells cake.

Don’t feel you have to look at the art/artefacts 
Just getting use to the space and seeing it’s not as intimidating as you might assume is time well spent.

How long should you look at a picture or artefact? 
It doesn’t matter!  If you don’t like it or it doesn’t grab your attention, move along.  No one will snicker or roll their eyes or *tsk *  behind your back.

Use Front of House for questions
Seriously, those people that stand/sit in the corner are there to answer questions – not just to tell you photos aren’t allowed.  And they LOVE being asked questions.

Social Media

Both venues and visitors need to use it more for conversation and less for marketing.

Visitors: 
Social media is not to be used as a threat when one little thing doesn’t go your way.  You can not threaten to use social media just because one employee didn’t respond quick enough, or the que was too long in the loo.

Museums: 
STOP using social media to SELL.  Be social!  Tell us why we should visit but interact with us when we’re there.  Be the eyes and ears for what we don’t see – go behind the scenes.  Ask us what we’d like to see. Ask us if we like cake, just talk TO us instead of AT us.

I’m sure there are other items not addressed here but these have been topics I’ve noticed in the last few weeks.  What would you add? What do you dis/agree with?

**Click here for Survey**

Last August 2011, I ran a simple survey called Does Social media work for Cultural Sector. At the time, I had no idea that Cultural 24 was working on their large scale research Let’s Get Real. Nor did I know what difference it was going to make (if any).

The results were intriguing and I mentioned I might run it again in a year.  Fast forward a year and a kind reminder by Ann that it was again time for the survey.

RT @ann_les: @MarDixon, hi! Have you carried out the same survey (http://www.mardixon.com/wordpress/2011/08/does-social-media-work-for-cultural-sector-survey/) this year?

Although I recognize that much has changed in the past year, I decided to leave all the questions the same as 2011.  I *really* want to ask more prying questions but realize that would skew results if we are to honestly compare the data from 2011 to 2012.

Like last year, it shouldn’t take much time to answer the questions and I’ll share all the results. There are 8 questions from 2011 with the option to add a comment in this years survey.

Please share this survey with everyone.

Does Social Media Work for the Cultural Sector 2012

With years of collective experience in social media engagement, many museums are stopping to ask themselves: what have we really learned about the audiences we are connecting with? Have we formed more meaningful relationships with our community and in the process, are we better serving the missions of our institutions?

#Musesocial is a tag on Twitter which I was first introduced to by Erin Blasco, from the Smithsonian National Postal Museum. A few weeks ago, I noticed she was asking provocative and probing questions such as ‘after following a museum on social media, have you visited its website more or less?’ or ‘what do you wish museums were doing more of with social media?’ These questions were sparking conversations, some receiving unexpecting replies (for me, I’m not going to speak for Erin).  But it was very interesting and eye opening.

Read the rest of this entry »

One of the biggest challenges I face as a consultant is hearing people say ‘I haven’t had time to ‘play’ on social media’. This statement is often being said by those making decisions on their cultural venues future.

And the question really should be ‘Can you afford not too?’

Read the rest of this entry »

I recently took part in the Guardian’s Culture Professional end of year Chat: a good or bad year for culture and heritage.

While I tend to stick to the more traditional cultural aspects (museums, art galleries, heritage venues) the chat brought up some other aspects such as contemporary performances, ballets, opera, etc.

One of the points I made was I felt 2011 was the Year of Collaboration.  To my surprise, this seemed to have caused a discussion on whether it really was or not.   Since the Arts council cuts were announced earlier in the year, it was clear to me that the only route for the smaller venues to survive had to be collaboration.

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This is the time of the year when my tweets tend to shift from museums and miscellaneous to literary (and miscellaneous) as the Frankfurt Book Fair is one of THE literary events that most of my literary friends are either going to or part of.  Publishers, authors, agents all seem to flog to Germany for this International event.   At the same time, there are a lot of literary festivals this time of the year (such as the brilliant Cheltenham Festivals  which those who can’t get to Germany prefer to attend.

I love books.  I love reading, I love going to libraries and book stores and searching new books I didn’t know existed.  I love the feeling of leaping into a book – becoming a bystander in the scenes that I’m reading.  Charlotte and I are fortunate to sometimes receive books from publishers  to review which has spurred her love of reading even further.  And recently, I even received an acknowledgement in L.A. Weatherly sequel Angel Fire. [Thank you!]

Read the rest of this entry »

During the last few weeks, I’ve noticed peaks and troughs with the diverse industries I follow.   I contemplated how I could capture this data and felt the best way was to track Twitter for 12 hours over one day.

I started tracking at 8:00 am on September 27^th 2011.  My account (@MarDixon) currently stands:

3,156 followers
1,887 Following

The key industries I follow could be broken into the following main sectors.  Other sectors are mentioned through the report.

Literacy:  This includes publishers, writers/authors, marketing, eBook
Museums: Including Art Galleries, Heritage Venues, people working within the industries.
American Museums: As above
Science: Groups or persons who promote the science industry
Personal tweets: Tweets, while not exclusive of the above personnel, were clearly on a non-professional basis.
Other: Tweets that didn’t fit into the main categories

There were some obvious times to tweet and not tweet and it seems different industries have slotted themselves into times that work best for them.  I seen minimal clashes of tweets vying for audiences attention.   This was interesting as it pinpoints times throughout the day where tweeting is more effective for certain industries.

This data is raw and obviously not scientific.  The notes were taken as and when I saw trends shifting and are only estimates.

Click chart:

I also tried to take notes along the way to help gauge where trends where leading.  Please see them here.